Just Wrought

Mythical Reasons for Not Listening to Sandbox Radio

 

 I Hate Theatre

“I heard I had to see Sandbox Radio in the theatre to get the full experience.”

Hey, listen, as a playwright, let me  assure you that I hate theatre more than you do, and in ways you have never even thought to think of; but just because Sandbox Radio Live! is recorded at West of Lenin’s intimate but fabulous black box in front of a live audience, that doesn’t make it theatre anymore than Mike Daisey reading from his notes in the Bagely Wright makes what he does a play.  (You can delve more deeply into this distinction here.)  The podcast of Sandbox Radio is the full experience. The bonus of going to see it live is like getting to watch Chef Tom Douglas cook your dinner at Dahlia Lounge. Witnessing the prep’s a super-cool extra that only a few people are ever going to get to experience.

 

Prairie Home Companion sucks

“Another “old-timey” radio show?  Been there, listened to that. Next.”

Uh… you’re high.  Give just one of these podcasts a listen and you’ll see how far from Garrison Keillor our Mistress of Ceremonies Leslie Law takes these recordings. The band ain’t folksy, it’s thumpin’!  And the dialogue is distinctly R-Rated. You can listen to Sandbox Radio Live! on headphones at work, safe in the knowledge that what you’re doing is secretly and securely NSFW.

 

It’s Too Late Now

“If I try to plug into Markheim at this point I’ll be totally lost.”

Admittedly, listening to a randomly selected episode of my noir-angel-detective serial is sort of like picking up a comic book mid-volume and trying to figure out what’s going on.  In other words… it’s awesome!

 

Isn’t this a Seattle thing? 

“I don’t live in Seattle.”

Congratulations. I wouldn’t wish living here on a roving band of  Uruk-hai. Lucky for you, each podcast gives you ~90 minutes of rich Seattle experience while you can still bask in the sun and/or snow and/or hurricane conditions common where you currently live.

 

Isn’t this a Seattle thing? 

“I already live in Seattle.”

Congratulations! Don’t tell anybody else how awesome it is here, please! If you need put-off material, I have a great little geeky LOtR-insider joke about a roving band of Uruk-hai you can use. But here’s the thing, fellow Seattleite: even if you’ve lived here all your life, you don’t know this city like the writers of Sandbox Radio do. We’ve found the places, stories and people that make Seattle—hmm, what’s a kind way of putting this?—“unique”, yeah, that’s it. Witness this delicious morsel of real-life dialogue captured and then re-staged from Seattle’s moveable epicenter of danger-tainment, the 358 metro route to Aurora. (All dialogue guaranteed overheard on the back of the bus.)

GUY ONE: You wanna talk about John Lennon? Shit, that shit
wasn’t even meant for him.

GUY TWO: What?

GUY ONE: That bullet. S’posed to be Paul McCartney, yo.
That’s who dude wanted to shoot.

GUY TWO: Really. McCartney?

GUY ONE: That’s a fact. And dude will never get out of prison.

GUY TWO: Well, you know, they were all Irish.

GUY ONE: Sure.

GUY TWO: And I always thought that must’ve been weird, growing up Irish in London. Must’ve been hard for them. Where the music came from, you know?

 

 None of these writers are Davids Mamet or Sedaris.

“Sure, I’ve seen some of Sandbox Radio’s actors on Seattle’s Big House stages.  But if this ‘Scot Augustson’ is so great, why haven’t I seen anything of  his produced  at the Rep.”

Uh… you realize that question answers itself, right? A regular and relentlessly versatile contributor to Sandbox Radio, as well as other great companies throughout Seattle and beyond, Scot Augustson is without question one of the best artists currently living and writing for the stage. (At least I think he’s still alive.  Homey lives hard up in Rat City.) Scot’s always doing something new for Sandbox, ranging from an original poem, to a hardboiled detective story for forest animals to the new sure-to-be-a-hit Seattle serial, Cousin Katie from Ketchikan. The only reason I don’t consume myself with jealousy for Scot’s talent and accomplishments is that his stuff is far too much fun to watch, or, in the case of Sandbox Radio, listen to.  Every time I want to hate him he makes me giggle. Giggling is death to hate. You’d think someone would have put that fact to good use by now.

 

It’s too hip.

“My tux is at the cleaners.”

This bon mot comes from friend and colleague, Mark Handley, best known for his play Idioglossia, which was later produced as the Jodie Foster film, Nell.

It’s okay, Mark. I just pulled your thong out of my dryer.  You can wear that while you listen.  We’re  casual.

 

• Listen to the most recent episode of Sandbox Radio Live! here.
• Select from all the earlier recordings here.
• And if you really feel strongly about seeing it live, well our next show’s at West of Lenin in Fremont on April 29.

Related articles

A Few Things Wonderful about "Something Wicked..."

A Few Things Wonderful about “Something Wicked…”

You’re not crazy. You’re just overdue. There hasn’t been a new episode of Sandbox Radio Live! in over three months! 

Relax. 

Episode Seven: Eye of the Beholder  is on its way, packed with the sort of goodies you’ve grown accustomed to: plays by Elizabeth Heffron and Vincent Delaney, music by Jose Gonzales and the astounding Sandbox Radio Orchestra, my own noir-angel detective series, Markheim (word has it Sam’s due for a drop in), all tied together by Leslie Law’s expert, effervescent direction. Plus you can expect some brand new stuff like a poem by Elizabeth Austen read live by the author, or a brand new comic serial by Scot Augustson set in Seattle. (You’ll want to order your tix quick, since we always sell out.)

But before we get to all that, I need to make up for a deleterious omission. With all the crazyness of the holiday season, plus world premiering my first full-length play in four years, Ballard House Duet, I neglected my self-appointed duty of telling you the things I love about the previous episode of Sandbox Radio Live! -  Something Wicked This Way (available for download here.)

 

“Backscatter” by Vincent Delaney

Vince never disappoints with his sharp suspenseful writing, but this turn at modern horror would make Rod Sterling go goggle-eyed.  All props to the Sandbox Radio sound fx team.  Give a listen and tell me they don’t make it sound exactly like an airport. (This brings up a larger fascination for me when listening to these podcasts: how the live audience participates in and fuels the recording. There’s this extraordinary recursively looping sensation as you listen to them listening to you listen to the show in the future.) My favorite character in this one had to be Big Stu.  Somehow Eric Ray Anderson manages to add 300 pounds through the sheer suggestive power of his voice.

 

"The Back of the 358 -  #7" by Paul Mullin

Not much I want to say about these since I wrote them, except maybe that Kathryn Van Meter utterly nails the drunk chick.  Oh, and also, the likelihood that there will be any new pieces in this vein is slim,  given how King County Metro’s elimination of the Free Ride Zone has completely flattened the floridly diverse ecosystem that was once the back of the #358.

"Muscle Memory" by Omar Willey

This chillingly smooth and nasty pastoral will captivate you into a skin-crawling reverie.

 

“Quinceñera of the Damned" by Scot Augustson

What do you get when Mexican kitsch culture collides with Austrian Alpine snobbery in a fairytale context?  Something you can be pretty sure Scot Augustson conceived. Favorite line (impeccably delivered by the peerless Annette Toutonghi): “Gunter will think I’m a crazy clown gypsy whore.”

 

“The Back of the 358 - #8" by Paul Mullin

It’s never not unnerving to have to relive my #358 adventures as staged by some of Seattle’s finest actors.

 

 "Here it Comes" by Charles Leggett with the Sandbox Radio Orchestra

Chuck and friends rock another original blues number, this time folding some astro-physics in, cuz… ya know... Chuck rolls like that.

 "The Back of the 358 #9" by Paul Mullin

Please tell me this trip is almost over. If this woman punches or pukes on me, I’m gonna be highly irked.  (Favorite line {which I can say in modesty because I overheard it}: “At least in jail I get three meals a day and someone to love me.”)

 

"The Raven" by Edgar Allen Poe

No one intones the American classics like Richard Ziman.  And his sweet spot is Poe. 

 

"The Sorcerer's Apprentice" by Paul Dukas, arranged by Bruce Monroe

A mind-crackingly original arrangement: the kind of blastingly cool cut you can only get at Sandbox Radio.

 

"Markheim - Episode 6" by Paul Mullin

Per custom, I’m including the script for this below the fold.

 

"The Back of the 358 #10" by Paul Mullin

So long shirtless drunk chick!  May you find the peace that eludes your every semi-lucid thought.

 

"Shadow of Agnes" by Emily Conbere 

I raved about Emily’s first Sandbox Radio outing, “Sound Thieves” here, but who knows?  She could’ve fluked her debut success. She didn’t. This piece seals the deal and is quite possibly one of the creepiest short pieces I’ve ever heard.

Again, don’t take my word for it.  Go to the podcast and listen.  And then get your tickets to our brand new show, available here through Brown Paper Tickets.

 

“An Unexpected Twist” Exceeds as Expected

Sandbox Radio Live!: Episode 5, “An Unexpected Twist”

recorded at West of Lenin on July 23, 2012

Download here. 

@2:35      “Markehim: Episode 5" by Paul Mullin
@16:58     “A Work of Art” adapted from the story by Anton Chekhov
@ 26:00    PSA - Little Bit Theraputic Riding Center by Elizabeth Heffron
@ 28:25    “Sound Thieves” by Emily Conbere
@ 42:09    “Au Fond Du Temple Saint” by Georges Bizet
@ 47:08     PSA - World Arts Access by Scot Augustson
@ 50:56     “Rally” a poem by Reginald André Jackson
@ 58:21     “Lactar” by Elizabeth Heffron
@ 1:12:12  “A Sousa Salsa” arranged by John Engerman
@ 1:15:38  “The Bleak End of the Woods” by Scot Augustson
@ 1:30:36   Finale/Credits

 

 

Every time the podcast of a Sandbox Radio Live! episode drops, I write a little blog about it.  And every time I do, I say something like, “This episode is the best one yet.”  And every time I say it, I believe it.  But I fear that you’ll stop believing me if I keep saying so.  So...  what’s the solution?

Unsure, I press ahead.

Well, here’s one pretty objective way we get better.  Each episode we try to fold a new writer or two into the mix.  This time, with our episode “An Unexpected Twist” we presented a new play by relative newcomer-to-Seattle, Emily Conbere, and a poem by long-time local actor Reginald André Jackson. Speaking as someone who has written for Sandbox Radio since its inception, it’s a little unnerving when a newbie like Emily so masterfully makes her debut.  Her “Sound Thieves” leverages all the peculiarities, good and bad, of crafting stories for the fecund darkness of the mind.  (I know, because our July show was completely sold-out.  So without a single spare seat for a freeloading playwright, I sat under the risers, my view of the stage totally blocked by audience legs.  I swear this is the very best way to experience radio theatre: live but blind.)  My favorite moment: Annette Toutonghi as Gloria, a mom trying to convince a shopkeeper who illicitly fences stolen sounds, to sell her some zoo noise to cheer up her son.

SHOPKEEPER:  Individual zoo animals are twenty-five.  A cacophony is fifty.

GLORIA:  I only got twenty dollars.

SHOPKEEPER:  Prices are prices.

GLORIA:  And I’ve… I’ve got my dignity.

SHOPKEEPER:  I don’t know what that means.

GLORIA:  I’ll give you my … (much huskier voice) dignity.

SHOPKEEPER:  Ah!  You don’t say!

Other favorite moments include Leslie Law and Heather Curtis Mullin singing “Au Fond Du Temple Saint” by Georges Bizet, Jim Gall as the title role in Elizabeth Heffron’s “Lactar”, and of course, Scot Auguston, gift-wrapping the evening with the final offering, “The Bleak End of the Woods”, a stark noir detective story for forest animals.  (See if you can spot my wife’s radio acting debut cameo as Charday the Squirrel’s mom.)  As always, I listened with unbridled envy as Scot tossed off comic brilliance as easily as peeling bananas.

CHARDAY THE SQUIRREL:  So, who’s missing?

JOE THE POSSOM:  Clementine.

CHARDAY:  Clementine?  Let that old windbag stay missing.

JOE:  Charday!

CHARDAY:  She’ll turn up like the bad penny she is.

JOE:  I went to look for her and she wasn’t home.

CHARDAY:  Wasn’t home?

JOE:  Was not home.

CHARDAY: That doesn’t make sense.  She’s a turtle.  She’s always home.

So how do I convince you that while each episode is great in its own right, each one is better than the ones that precede it?

Aha!  I know the solution! Go listen to the podcasts and decide for yourself.

 

PS: Advance reservations for our next episode, “Something Wicked this Way” become available tomorrow, September 14, at Brown Paper Tickets.  Click here.

PPS: Per my tradition, I’m posting the transcript of Markheim: Episode 5 below the fold.

 

Sandbox Radio Shoots Bumber

I know, I know.  The biggest complaint about Sandbox Radio Live! is that the super fun recording sessions are always sold out, making it damned tough to watch the magic being made.  Of course, the final magic is always eventually available to you as a podcast.  In fact, Episode 5: “An Unexpected Twist” just recently dropped and is available here .

But now Seattle’s beloved arts festival Bumbershoot is offering a one time solution to this conundrum.  This coming Labor Day (September 3) is your chance to see a “best of Sandbox Radio Live!” at the Center Theatre in the Armory, which has about thrice as many seats as our usual venue.  We will start at 7pm and pack an episode’s worth of fabulousness in just one hour. 

Here’s what’s in store:

"Notes from the Workplace" by Vincent Delaney

"Why We Run" by Scot Augustson

PSAs for Hanford Challenge and World Arts Access

A blues tune from Charles Leggett and The Sandbox Radio Orchestra.

Ads from "The Back of the 358" and a teaser for what's coming in Markheim by Paul Mullin

"T-Minus" by Elizabeth Heffron

"Barcarolle" from Tales of Hoffman featuring special guest soprano Heather Curtis Mullin,  and more!

You read that correctly.  My wife will be singing.  And I will be acting: reprising my role of Sam, Prince of the World, in my on-going noir angel detective series, Markheim.  That makes this Bumbershoot performance the very first time that Heather and I have shared a professional stage.  So come see Sandbox Radio Live! at Bumbershoot and watch some hot history being made.

 

An Unexpected Twist

I’m a Markheim.  A sort of angel.  But not the sort with wings and a harp and a halo.

Markheims are the black ops.  We do things other angels can’t... or won’t.  Upstairs pulled me outta retirement for a mission down in this soggy town.  But when it was done I didn’t go back. I had questions.  And the answers weren’t up above. 

Now I’m walking neutral, half-fallen, in what we angels call the Show.  But I gotta watch my back.  ‘Cuz things can always get uglier.

 

Make your reservations here.

Can you believe Sandbox Radio Live! has been broadcasting for a year now?

Neither can we. That’s why we’re calling our upcoming fifth(!) episode “An Unexpected Twist”. The Sandbox Artists Collective will be recording our latest offering before a live audience on Monday, July 23 at 7:30 at Fremont’s newest theatre, West of Lenin.

Entirely new, fresh and locally grown, Sandbox Radio Live! is written, produced and performed by some of Seattle’s hottest stage talent. This latest episode, An Unexpected Twist will include new short plays by Scot Augustson, Emily Conbere, and Elizabeth Heffron, plus Episode 5 of Paul Mullin's noir-angel serial Markheim, plus an original poem by Reggie Jackson, and special musical guests John Engerman and Heather Curtis Mullin.

Members of the Sandbox Artist Collective currently scheduled to appear include: Megan Ahiers, Eric Ray Anderson, Gin Hammond, Tracy Hyland,  Kelly Kitchens, Charles Leggett, Peter O'Connor, Larry Paulsen, Annette Toutonghi, Kathryn Van Meter, Cynthia Whalen and guest Jim Gall.

Original music will be provided by Jose Gonzales and The Sandbox Radio Orchestra: Charles Leggett, Dave Pascal, Dan Tierney and Rob Witmer.

You won’t want to miss this, and you won’t want to wait until the podcast gets posted.

Plus! Before the show and during intermission enjoy our newly added bonus feature from last episode, The Sandbox Bar! Featuring beer, wine, mixed drinks and other refreshments.

Come see it LIVE! on Monday, July 23.

 

 

Who:      The Sandbox Artists Collective

What:     SANDBOX RADIO LIVE!: An Unexpected Twist

Where:   West of Lenin (Located at 203 N. 36th Street, a few blocks west of the Statue of Lenin in the center of the universe,Seattle's Fremont neighborhood.)

When:     Monday, July 23, Sandbox Bar opens at 7:00, house opens at 7:30 with a live music set, show starts at 8:00pm

How much: Donations gratefully accepted at the door. ­Reservations recommended and Available through brownpapertickets.com by clicking here starting Monday, July 2.

Sandbox Radio is conceived, produced and directed by Leslie Law.

Subscribe to the podcast of Sandbox Radio and listen to past episodes at the iTunes store: http://itunes.apple.com/us/podcast/sandbox-radio-live/id452830642

One Great Year One–Sandbox Radio Live!

Back in April we staged the fourth episode of Sandbox Radio Live, “The Chase” rounding out a year of producing this unique offering of all local theatre talent.  The podcast of this last show is now available here.

Episode 4, “The Chase”
recorded at West of Lenin on April 16, 2012

 

@1:42    “Stewart and Miriam" by Elizabeth Heffron
@10:52   “Markheim: Episode 4” by Paul Mullin
@25:40   “Why We Run” by Scot Augustson
@29:35   “Ain’t Gonna Chase After You” Charles Leggett
@33:25   “The Back of the 358 #4” by Paul Mullin
@34:50   “Straight With Chaser” by Ki Gottberg
@42:54   “Always Disappearing” by Juliet Pruzan
@56:20   “The Back of the 358 #5” by Paul Mullin
@57:40   “Child of the Second Tier” by Elizabeth Heffron
@1:04:32 “I’m Always Chasing Rainbows”
@1:07:53 “The Back of the 358 #6” by Paul Mullin
@1:09:45 “Squeeze Play” by Vincent Delaney
@1:22:00 “Finale/Credits

 

It was a great evening, as the Sandboxers have really hit their stride generating and performing work intended especially for the pleasures of listening.  For me the standouts of the evening were poems by Scot Augustson and Elizabeth Heffron, “Why we Run” and “Child of the Second Tier”; plus Charles Leggett’s hard blowing “Ain’t Gonna Chase After You” blues, getting its sassy behind kicked by Leslie Law’s second mic vocals.

In July we’ll kick off a whole new year, with Episode 5 “An Unexpected Twist”, be there to share the making of the magic.

And per tradition, below the fold you’ll find the script for Episode Four of Markheim, should you care to follow along as you listen.

(And thanks again to John Ulman for taking such great photos!)

Study for Righteousness

I was jotting notes for an upcoming episode of Markheim when it suddenly dawned on me that what I had was damned close to a poem.  So I polished it up a little and sent it off to the amazing Omar Willey, publisher of The Seattle Star.  In his intro to it on Facebook yesterday he called it, “A timely poem … that I've been saving for just the proper occasion.”  An approving nod from Omar is worth more to me than praise from any Caesar, but I’d happily swap “timely” for some magic to dampen the vicious necromancy of all the guns we covet and clutch in this country. 

You can read the poem here at The Seattle Star.

And while you’re there, think about given this amazing new arts outlet some love.  A bookmark, a shoutout on Facebook or Twitter, or even a ten-dollar donation. 

The Chase

Markheim’s just a half-fallen angel trying to keep his head down and walk neutral in The Show, but a street kid stole his dog and now some Cherub has dropped down from the Fix for heaven only knows what reason.

Seattle ain’t big enough for two expatriate angels. Sam ain’t gonna like it.  And when Sam’s unhappy, nobody’s happy.  

Does tax season have you on the emotional lam?  Then join "The Chase": The Sandbox Artists Collective's fourth episode of its wildly successful SANDBOX RADIO LIVE! to be recorded before a live audience on Monday, April 16 at 8:00pm at Fremont's newest theatre, West of Lenin.

Entirely new, fresh and locally grown, Sandbox Radio is written, produced and performed by some of Seattle's hottest stage talent. This latest episode, "The Chase" will include new original poems by playwrights Elizabeth Heffron and Scot Augustson, new short plays by Vincent Delaney, Ki Gottberg, Elizabeth Heffron and Juliet Waller Pruzan, plus Episode 4 of Paul Mullin's noir-angel serial "Markheim", original blues from Charles Leggett, and special guest chanteuse Joanne Klein.  Before the show and during intermission enjoy a beverage from our newly added bonus feature, The Sandbox Bar!  

Members of the Sandbox Artist Collective currently scheduled to appear include: Megan Ahiers, Eric Ray Anderson, Shawn Belyea, Ki Gottberg, Mik Kuhlman, Amy Love, Charles Leggett, Todd Jefferson Moore, Peter Dylan O'Connor, Rebecca Olson, Kathryn Van Meter and Richard Ziman. Original music will be provided by Jose Gonzales and The Sandbox Radio Orchestra: including Dave Pascal, Dan Tierney and Rob Witmer.  You won't want to miss this, and you won't want to wait until the podcast of this episode is available online.

Come see it LIVE! on Monday, April 16th...
 

 

 

 

Who:     The Sandbox Artists Collective

What:    SANDBOX RADIO LIVE! Episode 4 "THE CHASE"

Where:  West of Lenin (203 N. 36th Street, Seattle WA) www.westoflenin.com

When:  Monday, April 16th, house opens at 7:30 with live music, show at 8:00pm

How Much:   $10 suggested donation at the door, Reservations recommended! Available at Brown Paper Tickets after April 2nd by clicking here. 

Sandbox Radio is conceived, produced and directed by Leslie Law.  Contact:  [email protected]

Podcast available in iTunes and by clicking  here. 

 

A Delicious Sampler of Sandbox Radio Live

Sandbox Radio Live from Sandbox Radio on Vimeo.

The Blessings of Getting Better: Sandbox Radio Live!

 

Like any good theatre town, Seattle tends to lavish plenty of hype on the inaugural production of a new company when that company is made up of talented veterans who have proven themselves on other stages around town. Pressure mounts on the new ensemble to make their kick-off show one of the best audiences have ever seen, thus assuring crucial momentum for the future. Of course, the inherent danger lies in forgetting that no matter how earth-shatteringly brilliant your first play is, the primary law of show business remains as immutable as gravity: you are only as good as your last gig.  A company that can never live up to the promise of its premiere production is a company destined to be loved like a first crush: fondly, but weakly, and with an ardor that fades even as the intervening years serve to burnish or blur the memory of love-at-first-sight’s luster.

Happily, through luck, hard work and great leadership, the Sandbox Artists Collective has managed to escape that fate with its quarterly audio offering, Sandbox Radio Live. Don’t get me wrong. We had a great initial outing, back in July of last year with our first show.  And lots of delicious hype to go with it. But I don’t know anyone who would argue we couldn’t do better.  And better we did, with the second iteration, a horror-themed show turned out just in time for Halloween.

With this third episode, however, every member of the team— writers, actors, musicians and production crew — stretched out into strong new strides: going beyond what we had done before with a confidence that surely grew out of our prior successes and failures.  Everyone seems to agree that Episode Three, “To Hell With Love” was our best show yet.  And best of all, now that the podcast is ready, you can listen and decide for yourself by clicking here.

For me, the evening did not contain a single clunker.  I loved every segment, from Anita Montgomery’s hilarious plumbing of the particular hell that is on-line dating in “F- You, Cupid!” to Elizabeth Heffron and Leslie Law’s stirring tribute to the great radio drama talent, Norman Corwin, in the show’s finale, “Corwin on Corwin.”  And I will never forget when Elizabeth Heffron’s delightful sex romp in space “T-Minus” gloriously dissolved into an Offenbach duet sung by Law and the shimmering soprano Heather Curtis Mullin.  As Heather herself will tell, you it’s no great accomplishment that this brought me to tears.  I’ll cry at a cell phone commercial.  But that doesn’t diminish the welling of awe I felt witnessing that unrecoverable moment of live theatre.

Wait!  What did I just say?  “Unrecoverable?”  Bullcrap!  Due to the greater glory of Sandbox Radio you can go and recover it right now, here!   (Act I, 52:50).

And here’s a list of all the evening’s pieces:

Episode 3, “To Hell With Love”
recorded at West of Lenin on January 23, 2012

Act 1

 

@1:55 "F-You, Cupid!" by Anita Montgomery
@13:28 PSA-Coal Free Washington by Vincent Delaney
@16:45 "Lost Love Blues" by Charles Leggett
@22:53 "Markheim: Episode 3" by Paul Mullin
@37:30 "T-Minus" by Elizabeth Heffron

Act 2

@0:00 “Angry” by Charles Leggett
@2:48 "Charlotte Doesn't Clean Here Anymore" by Scot Augustson
@17:55 PSA-Communities in Schools of Seattle by Vincent Delaney
@21:08 "Corwin by Corwin" by Elizabeth Heffron
@40:03 Finale/Credits

 

True to the night’s pattern, my own piece, the third installment of the noir angel series, Markheim, was the best one yet.  If I can modestly say so, I am really starting to find the action of the story.  And the actors, foley artists and musicians have modulated the series’ unique and tricky tone to pitch perfection.  As always, I’m providing the script for Episode Three below the fold.