The rewards of theatrical risk-taking should accrue, first and foremost, to the audience.
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08/06/2012
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Plays by Paul Mullin
Categories
- 14/48 (15)
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Recent Posts
- Day 12 / Reason 12: [This Page Left Intentionally Blank]
- Day 11 / Reason 11: Debt
- Day 10 / Reason 10: I May Hate It
- Day 9 / Reason 9: I Figured Out How Christmas Carols Work
- Day 8 / Reason 8: Amy Thone
- Day 7 / Reason 7: My Sons
- Day 6 / Reason 6 for Going Back to the Theatre: John Langs
- Day 5 / Reason 5 for Going back to the Theatre: A Contemporary Theatre
- Day 4 / Reason 4 for Going back to the Theatre: The Darkness
- Day 3 / Reason 3 for Going Back to the Theatre: A Christmas Carol as Stage Play
Recent Comments
- Paul on Day 8 / Reason 8: Amy Thone
- S Finque on Day 8 / Reason 8: Amy Thone
- Gerard Menendez on Testing… Testing… Is This Thing On?
- Paul on Leveraging Just Wrought’s Obscurity as a Feature, not a Bug
- Susanna Burney on Leveraging Just Wrought’s Obscurity as a Feature, not a Bug
- Paul on Leveraging Just Wrought’s Obscurity as a Feature, not a Bug
- Amy Allsopp on Leveraging Just Wrought’s Obscurity as a Feature, not a Bug
- Yvette Waters on Testing… Testing… Is This Thing On?
- Paul on Testing… Testing… Is This Thing On?
- Joshua Sliwa on Testing… Testing… Is This Thing On?
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